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SADIE BARNETTE

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All My Bitches Having Fancy Dreams (2006)
Shoelace on Canvas
36 x 36
$875

 

Cooler Than A Polar Bears Toenails (2006)
Shoelace on Canvas
36 x 36
$875

 

SpottieOttieDopaliscious (2006)
Shoelace on Canvas
36 x 36
SOLD

 

 

Nice, Nice Fighter (2006)
Shoelace on Canvas
19 x 36
$550

 

Oakland Shooting Stars # 1
Trip-tych (2006)
Shoelace on Canvas
14 x 18
SOLD

 

Oakland Shooting Stars # 2
Trip-tych (2006)
Shoelace on Canvas
14 x 18
SOLD

 

Oakland Shooting Stars # 3
Trip-tych (2006)
Shoelace on Canvas
14 x 18
SOLD

 

Pitch In On A Party (2006)
Shoelace on Canvas
12 x 12
SOLD

 

Role Call (2006)
Shoelace on Canvas
12 x 12
SOLD

 

Dubble Dutch (2006)
Shoelace on Canvas
36 x 36
$875

 


Sadie Barnette Biography

I’m 21 years old. I want a perfect boyfriend and a revolution. I make art for 21-year-old kids who want perfect love and a peaceful revolution, for girls who paint their fingernails and paint on walls, for the kids who plan on fighting life’s battles in style, for girls who laugh and cry more than is normal. I am exhibiting relating to various aspects of my eclectic concerns. This series is works made of shoelaces and named for songs and other small but life-changing moments.

I love fat shoelaces. In updating the formalist abstract painting of yesteryear, it seemed appropriate to use fat laces, and that’s what I have done in this series. Proclaiming fat laces as an art material is to acknowledge the communicative and aesthetic properties of the laces themselves. Us kids have agreed upon these shoelaces as a significant tool of expression. These little 99-cent items have become ammo that can be used in the battle of style and originality vs. the commercial appropriation of that very style. There are times when style is inconsequential, but the ransacking of youth culture and styles by monster brand names and couture labels is not. Fat laces have no brand.

And although style is just one of my many concerns, I clearly see its strong relationship to art. I think our chosen devices of expression are important and valid, whether they are spray paint, oil paint or shoelaces. And if while looking at these pieces you are suddenly reminded of weaving potholders in the third grade, you should remember that that was also important – simply because you were creating. These objects and styles to not represent us, but rather serve as weapons that we use in the struggle to represent ourselves. As we plot our revolution you can be we are armed.

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